I love that Claire and Luke are very atypical horror movie protagonists. They're so much more believable than most main characters, and their dialogue and relationship is a very natural point of levity in an otherwise bleak story.
I think the scares are measured, eerie, very creative, and a perfect balance of shock and lingering creepiness that I love. I also think he makes great use of normality as a vehicle for the scary elements of the movie, where things seem so peaceful, benign, and (to the characters) boring that when scary things do start happening the tension is palpable. Believed by many to be one of New England's 'most haunted hotels,' the last. I'm not saying it's a bad way to pace a movie, I just can't stand when things have a steady drawn-out pace and then a movie goes from 0-60 in like 30 seconds. Set in the venerable Yankee Pedlar Inn, which is about to shut its doors for good after over a century of service. I really do give it a lot of credit for being a great movie though. That being said, I personally hated House of the Devil, and his segments in VHS and ABC's of Death are trash. I think he did a good job with the shot selection and camera movement, honestly. It's been a while, but I remember lots of zooming rather than dollying, which felt authentic. Zooming was more commonly used as a recurring technique (generally seen as a sign of an amateur by most) in perhaps Italian horror and Hong Kong martial arts films more than contemporary US horror during this period though. Dolly moves are the mark of big budget films but by the late '70s steadicam was in reach of even the indie (ie. Most action would be played in wide master shots. It would not be very "cut up".ĭon't conflate these aesthetic and technical considerations with issues of pacing and its "slow burn" flow of the narrative.
These are separate and I have no problem with that. That was fine, it was the technical and aesthetic concerns that they didn't really nail beyond the opening titles and a few zoom shots.
movie The Innkeepers (2011) download Full Movie HD Quality 3D tablet mac pc 720p 1080p mp4. The ending just seemed rushed and not well thought out with poor blocking of the action and a "final solution" that makes no sense at all. The Innkeepers (2011) download Full Movie HD Quality 3D tablet mac pc 720p 1080p mp4. I can see if you don't like the leads, you won't like the film-for me, it's all about watching those two interact with each other. Its plot follows two employees at the Yankee Pedlar Inn who, during its last weekend of operations, attempt to document the alleged supernatural activity in the building. It stars Sara Paxton, Pat Healy, and Kelly McGillis. This movie introduced me to the greatness that is Pat Healy (see also: Cheap Thrills), and for that alone I'm a fan.īut I love the slow burn, the occasional incredibly creepy moment, and then the harrowing ending. The Innkeepers is a 2011 American supernatural horror film written, directed and edited by Ti West. #Imdb the innkeepers movieĬould have done without the coda where they bring her out on a stretcher, but it didn't wreck the movie for me. We watched this for episode 2 of Horrorshow Hot Dog, way back in 2013, and had a blast with it. All in all a disappointing film.It really lulls you into a false sense of security, just floating along with these fun characters, and then it beats you into a pulp. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.
And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. especially "Father", who is little more than a mouthpiece for religious mumbo jumbo. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. So when things start going bad, it's hard to care. The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). What starts out as a promising look into a religious cult, quickly turns into a jumbled mess of incoherent storytelling, baffling motivations, and annoying camera work.